chicago producer savile returns to his home base, argot, for his second release of 2016 -- share power. here, savile skirts the bleeding edge of american dance music, proving without a doubt that he s mastered his own minimal sound. lean, hypnotic, and syncopated. share power is an ode to collaboration, kindness, and making space, distilled through his vision for midwestern house and techno.
share power is dedicated to two parties savile played in ohio during 2015 -- in training in cleveland and midwest fresh in columbus. on -three hours in the meat sink,- savile wrests maximum impact from the barest elements — a sparse, moaning bassline is the track s backbone, upon which rippling synth, hypnotic hi-hats, and a carefully placed call to arms roll out in stride.
flip the record over for -effort won t betray you,- where explosive chord stabs fill a sharp, syncopated skeleton of percussion — that s all there is, and that s all there needs to be.

cbrb s latest triptych for phantasy takes their sound into a more dystopian direction, a world of concrete shopping centres, the occult and physically irresistible repetition. the title track “mecanique sauvage” is a muscular industrial / outsider house track, a stop start rollercoaster that constantly intensifies. one part a brutal exercise in poise and restraint, and one part undiluted disco excess. a contradictory beast of a track. something of a epic (at over 8 mins long) “children of the monolith” drops the tempo to 100 bpm and takes the listener on a very different kind of trip. a widescreen composite of tribal drums, sinister synths and the beguiling mantras of an arcane cult. don t touch the brown acid... “soda jerk” is the everything but the kitchen sink moment on the ep, a hymn to over indulgence. unhinged electronic body music, a gloriously relentless assault on the senses. resistance is futile!

last year saw the mysterious garage shelter make their debut appearance on skylax, and little is still known about them! all we know is they are back with some freshness on the skylax classic sublabel. first up is bring back love, a track that will sink its claws in with that infectious vocal sample hook. sticking with the old school sample vibe is the lonely heart dub of attempt, it’s a bit more mellow but still has plenty of groove in it. friend of the garage shelter, dj la foudre, appears over on the b side with it’s alright (signal st mix). still on that catchy sample tip, it features one of the grooviest bassline and funky guitar pairings i’ve heard in a long time. next up, perception 66 is a smooth house affair from yet another friend, asa no hikari. rounding out the package is garage shelter’s own you (still), a dreamy pad-driven track that may indeed be the pick of the release. while we don’t know much about garage shelter, we can’t help but look forward to what they come out with next!

a fine 2015 for untilmyheartstops so far has seen the label usher in superb 12- releases from zach lubin, arnaldo, and duckett with the latter s pair of records a particular highlight. label co-founder leif is next up with taraxacum, his second album and umhss debut long-player and it may be their finest work to date. building on dinas oleu, his well-received 2013 debut album for fear of flying, the nine tracks on taraxacum show leif channelling all-new levels of immersion in his productions right now. very much an album you sink into, there are still tracks on taraxacum that will work on the dancefloor when you require something a bit hypnotic wed love to see a small club reacting to the startling an elephant madness for example. great work leif!

the diving occurs when the flexible part of the larger container is pressed inwards, increasing the pressure in the larger container, causing the diver to sink to the bottom until the pressure is released, when it rises back to the surface, felix kubin presses the sound of the cartesian diver to the surface, which generate three music masterpieces: i cant sleep, an ode to insomnia, polarisation, two poles of kubinski dadaism and taucher, which starts very deep under the sea and struggle with full pressure and energy to the surface. the cartesian diver is alive! all tracks by felix kubin, a1 features vocals by giada pesce, mastered by rashad becker. available only on vinyl!

sink into a world of deep electronic rhythm and texture, clouded house is a not for profit venture whose aim is to take you higher. 1989 is the debut deep house tragedy from lukas lyrestam where pumping music-machines from outer space are brought back down to earth in a shuttle constructed of heartfelt songwriting. thick, gritty and for fans of nicolar jaar and galcher lustwerk, this is music for deep basements and curious minds.

2015 repress - from the first glimpses of henry laufers work as shlohmo, it was clear that the la native and visual artist turned self-taught musician was onto something. with an effortless grasp on sound design, laufer combines deceptively simple and emotive melodies, subtle bass drops and swinging slow motion drums. his early work has placed him at the forefront of a new wave of rising talent amongst west coast producers… inspired by the desire to write songs and create a release of full-range instrumentation and vocals all his own, laufer promptly began home-recording >bad vibes<, his proper full-length debut album for the friends of friends label. some might say the songs on >bad vibes< represent the spawn of a new rhythm and blues - one that swings and sways under the backbone of henrys own take on modern electronic music. augmented with delicate slide guitar playing, homemade synth sounds and lilting, tuneful melodies, shlohmos latest output is one that will take you places - specifically the un-paralleled vibes swirling through this young mans head.

available on vinyl (limited to 200 copies, no repress). release number eight on telefonplan is an all family affair. joining mad mats & toolis team of artists is swedish producer wiz andreas saag. mr saag has taken the leap from local talk and now makes his debut on telefonplan. opening track justice is dark, deep and with a sumptuous bass to sink your teeth into. it is rough and punchy with a clever vocal sample that almost works like a chant. justice comes in two versions, for those of you who like your song instrumental we have made sure your wish is granted too, it still got enough intensity about it without losing the pulsating heaviness. on the flipside, call of yacuma could be described as a grittier and stripped down version of andreas previous local talk track in the box. it is pure simplicity and groove makes it simply irresistible. listening to these tracks it is clear mr saag has been influenced by living in berlin these past years. both justice and call of yacuma wouldnt sound out of place in a dark club with a big soundsystem late at night. just make sure you get past the bouncer while entering the club.

screen printed by house of traps * triple vinyl!
ah, yes! finally some real flavours to sink our teeth into. the nose is truly a work of art. first the classic peaty smoke but so distinctly understated. confident in it s maturity. the salty pineapple citrus is next coupled with a refined lemon- lime toffee tartness. and finally a whiff of fresh cucumber sprinkled with the loveliest of white pepper. oh, yes. this is what we’ve been waiting for! the creamy mouthfeel is laced with intense black peppers but then mellows out to give you honey, lemon and chocolate with a dash of tobacco. the long peppery finish is fruity with a hint of limestone. these are the classic flavours that made linkwood one of the top distilleries and expressions should be on your list of malts to try before you die.

those anonymous edit masters, the secret squirrels, ask you take another ride with them into the night to find out if there really is any method to their madness? whatever answer you decide, you know the trip will be a wild one and will sink you deep into the trackier, groovier and darker side of the discotheque. amen to that!

limited nice price action
hard motor city techno from label owner tim steward takes you on a tripped out journey through a world of synthesizers and appregiation. a fusion of classic detroit and eastern europe.

with their sixth release tiefenrausch keeps on delivering excellent dubtechno this time by textural being from portland. we enter the ep with an overwhelming deepness in >safe places< and sink right in. with >transmission< we walk on the thin line between house and dub. a reminiscence to the classy days of disco music combined with roughness par excellence. >descend< back again under the water surface to get drown into the dubbyness of this textural being. the ep is the first one to come with new cover artwork. we‘d like to thank cris for his outstanding artwork of tiefenrausch 1-5 and are looking forward to marvel at the next 5 releases designed by alex ketzer. all tracks mastered by salz.

needwant welcome berlin duo kim brown into the fold with the stellar batteries not included ep comprised of three shimmering, deep cuts to sink into.

inside out, upside down. even the cover for the newest something happening somewhere has been shaken up. after dealing with ufo incidents in british forests, this time it s all about investigating relationships within linear structures.

truckstop76th is an independent label born in the 2002 in rome, and more precisely in ostia, a neighbourhood of the suburbs that looks onto the sea. this label was born from the will of the duo seventysix (that is mr.3p e nrn) to create a platform to diffuse their own music and that of their crew. the roots of the label sink in the roman illegal rave scene. here they present two deadly acid/electro tracks from franz & shape and ice one. no messing around with this killer 12 inch

support by juan atkins, brothers vibe, valnetino kanzyani, ray okpara, guy j, andre galuzzi, phil kieran, chris lattner, rampa, nekes, federico molinari, fimo, patrick bateman, mathias schaffhaeuser and many more! enough! music is back with its newest ep package made from three berlin based artists who bring their own unique sound and styles, a stong statement that these three rising talents are certainly ones to watch closely over this coming year. first we must speak about the two originals provided by george p., aptly named <start> and <stop>, each track carries the signature drive and syncopation typical in any george p. track. <start> is a hypnotic and smooth tech driver, pushing forward with intense percussion rhythms, haunting synth lines and intense pads in support, this has all the hallmarks of any classic detroit cut only with more panache. <stop> continues in the same vain with a raw and jacking tech mix, the intensity growing as the track evolves, a driving stab and tom bass establish a funkiness that becomes infectious and certainly a big dance floor number. the first remix comes from label boss danilo schneider who is <pause remix> of start brings on a solid deep groove perfect for the early hours, yet doesn t loose any of the intensity of the original, this is danilo at his very best and most definitely one killer deep ass shaker here!last but not least is the second remix is by edgar jack who is version of <stop> (aptly named <you know i don t want to>) manages to capture all the rawness and colour of the original as a funky, jacking mix with deep dubby basses and a nasty swing groove that will knock your hip out…yes, you ve been warned.enough! music delivers once again with a very strong and promising ep that will certainly please the dance floor and rumble those speakers from side to side, these three gents from berlin have delivered four powerful and unique cuts that you know you can just simply sink your teeth into.

follow up zu mieuxs neufant ep (released im juni 2013) mit neuinterpretationen von we sink (athen), sekuoia (kopenhagen), kelpe (london) und hade (köln). mit extrem clubtauglichen, von uk-garage und bass beeinflussten uptempo-remixen von we sink (symbols / upmyalley) und hade (mpm) auf der einen seite und rockenden mid/downtempo remixen von kelpe (drut / svetlana industries) und sekuoia (upmyalley / pmc) auf der anderen, macht das kölner label wieder einmal deutlich, warum das attribut *forward-thinking* immer wieder fällt, sobald von upmyalley gesprochen wird. weit vorne. wer disclosure, shlohmo oder ähnliches mag, sollte hier reinhören!

the debut album by scottish synthpop band chvrches on heavyweight 180 gram vinyl

limited repress edition >br> metallic sequences, hypnotic pulsations, groovy rythms and deep raw chords. innerspace halflife delivers with this three tracks ep an autenthic piece of chicagos finest electronic music

für clark bilden seine remixes die spannbreite an unterschiedlicher musik ab, die er in den letzten zehn jahren veroeffentlicht hat. mit einem unterschied: sie wirken geloester, weil man beim umgang mit material anderer kuenstler mehr freiheiten genießt

unsubscribe_ ist das projekt von techno-legende dave clarke und dem niederländischen dj/produzenten mr. jones. nach ersten remixes für octave one, boys noize und erol alkan erscheint nun ihre debütmaxi auf dem fabric-sublabel houndstooth sogleich auf 180g heavyweight vinyl. das fantastische * spek hondje* basiert auf einem darken, strengen groove mit leichten chicago-anleihen und featuret den us-vokalisten bear who?, szenisch bekannt dank dj sneaks - fix my sink

reissue of the 1983 debut album from pulp. includes 4 bonus tracks and download code.

here is the first tablons release ! product of a collaboration between several artists, tablon 001 is particularly linked to greece. for his first vinyl release, arnaud comes with a brilliant organic track, colloc vinzaïe. manipulating his own recordings with talent, he creates a sensitive and unique piece. the greek duo we sink delivers a booming remix, telling a certain story with some retro touches. the b face is made of two featurings. >disused<, composed with his friends cleonce and mos eisley, builts a planning, ambient but as well for to the floor groove. >i keep control< with the greek singer matina sous peaus intervention finishes this release with a very intimistic atmosphère.

for its eighth release theres no other responsible than oliver schories, who did several releases on labels like ostwind records, parquet recordings or musik gewinnt freunde (just to name a few), which attracted a lot of attention! on his organ freeway ep oliver delivers a summer track which immeadiately puts you into good humor, no matter if heard in the morning to get up, in the clubs or especially on every upcoming open air party! just get on his >organ freeway<, theres no speed limit! the b-side is somehow darker and moody, like the title >treibsand< promises youll sink in layers of sounds, directed by the low-tuned piano, perfect addition to >organ freeway<! all together a huge summertune which is going to be released on lovely 10 inch-vinyl!

open the curtain for the next trick from the highgrade disharmonic orchestra: for the last year the team have been busy refuting the notion that the dj is a one-man-band in the booth… tom clark, todd bodine, philip bader, dale and daniel dreier are an act that combines all their many and varied qualities into one pot, stirring vigorously and serving up a hearty dish that goes straight to the hips! they have proven many times with their live performance that the musical ingredients are just right – and have also put the evidence on the record with an original ep. now comes the follow up. the first track way too far, is a live recording which evokes an atmosphere of urban beats and pulsating flashes just behind the eyes and a dancing crowd who appear to sink deep into the dance floor. then theres a complete chance of scene for the second track the other night, that appears to hijack the veranda of a villa in the american south. crisp rhythms are backed by muffled thumping beats, a trumpet laments, a sexy sleep-talking emerges in gentle piano sounds. this is southern passion under the disco ball, cleverly approximated by the highgrade disharmonic orchestra

eagerly awaited vol 6 on richard sens mixed blood cuts series sees the baton handed over to melbourne based >pom< golden fleece. the first cut on this 2 tracker >dancin in the nude< sees t-rexs marc bolan fronting a futuristic glam band jam. plenty of (cow) bells, whistles, wonky synths, even the occasional kitchen sink thrown in for good measure! this jam has been tearing up dancefloors on both sides of the planet. on the flip >ciao bella< takes us on an epic dark journey with a full 11 minute long work out of bauhauss >bela lugosis dead< getting a modern fix up with a night stopover in detroit for good measure. golden fleece drops the bpm of the original and respectfully sprinkles over some of his own dub glitter purely for the benefit of the dancefloor! andrew weatherall has been championing this cut

supplement facts records continue their rich run of form by handing a label debut to detroit-native lee curtiss. the >and we all fall down< ep has been one of the most hotly anticipated from the israeli label and is set to become the soundtrack to the last echoes of summer. we continue to dance, as the days grow short our nights become longer and lees ep is the perfect accompaniment….>i can hear you arthur<, a tribute to one of lees long-time music heroes, arthur russell, is an emotional escape. with russell being a direct sound-inspiration for the release, we are treated to a longing for a far away love. with waves of sound that build and cascade, accompanied by pillow-talk whisperings, all creating eight minutes of rhythmic, warm grooves. arthur never sounded better. after the body-swaying vibes of the a, side b brings the perspirec-electronic throb and hip-grinding action of labor of love. after yearning for arthur, we are more than appeased with the beautifully sultry and ever so intimate vocals of stephanie selvaggio. with its rhythmic guitar opening belying its true intention, labor of love develops into a sensual dancefloor cut with stephanies vocals floating effortlessly with the acidic beats as she drives us ‚crazy, and we all fall down is a perfect example of an artist at his most vunerable. its brutally honest sound invites the listener in with open arms and wraps itself around them like a warm cashmere blanket. as the brutal realisation that summer is almost over starts to sink in…its worth taking comfort in records like this, that make the transition that much easier.

one of the major players in oslos disco scene joachim dyrdahl aka diskjokke returns to full pupp with his new original track takt raver, a shiny example for his melodic, epic yet jacking style where almost fragile melodic fragments, stomping grooves, simmering acidlines and air-horns magically gel together. label boss and discoverer prins thomas takes us on a space walk with his marvelous psychedelic remix of 1987 which will appear in its original version on diskjokkes forthcoming second album on smalltown supersound. on the flip excentric duo and food geeks ost & kjex ( diynamic ) serve up a whole menu with several courses and a huge variety of flavours: their remix of interpolations makes itÆs entree as a jerky, crunchy afro-beat style funker followed by aromatic, earthy house chords before a well-rounded finish of tangy acid lines and hints of bitter-sweet melodies. sink your teeth (and ears) into this!!!

sink your teeth into that famous drum and bass coating through to tender, juicy vocals and enjoy every delicious bite of your gravy. whether its a party for the masses, a stress free family rinse out, midweek sessions or bass on the go, we ve got just the thing. orginal recipe basslines spicy breaks, deep strings, buckets or bonless.

the second half of the great lengths remixes package offers 3 more vividly contrasting interpretations of album tracks. almost a year on from the release of his debut album >one< and with >saviour of techno< plaudits still bouncing off concrete walls, berghain lynchpin ben klock turns in a remix of is this insanity that distills everything inspirational about both the club and city he calls home. spaceapes cracked vocal is welded to a sort of cavernous piston driven groove while traces of the originals melody fractured into the briefest of shards fight their way to the surface only to sink back into the percussive smog. located well outside of the heavily scrutinised uk hype centres, manchesters rising star illum sphere continues to hone his already distinct sound on the flipsides brilliant orange reworking. a clanking off kilter groove rubs up against an extended mutation of the original melody that pushes the track towards a poignant climax, evoking all the ache of reaching for the stars and landing squarely on ones face.

baaz comes back home at sthlmaudio recordings for a rich and surprise full new ep called woodland drive. the 12 inches start right off with sink, a very baaz styled house track which is dance appealing and yet refined and subtle. a raw bassy groove monster track. the next one might surprise the baaz fans out there, yes it’s a hip-hop track featuring the soul vocals of katrina marie. we figured out that it might be fresh to provide some other point of view in the repeating herself dance scene. the b side strikes hard on the house side again, it s gone is one of those pure shining and rolling tracks. once to you uplift it you’d just let it go. a bass heavy subtle and groovy house cut, baaz trademark?! essential. and again the b2 and closing track is an lush and low key hip-hop science out of baaz most retired places

brand new intrusion! the first killer twelve of 2009 and the perfect way to soothe the post nye hangover. the title track >seduction< is an epic beauty as deep as the sea which does exactly as the title suggest, a sort of seduction of sound if you will, so immersive you could swim in it’s three dimensions. the bass line is so deep you can feel the vibrations in jamaica! the song soars along and in minutes reveals its magical analogue frequencies as shards of blissful chords sail around your speakers in a full spectrum panorama affair so easy to sink into. next up is “silence” leading us into ambient territory for a short but sweet three minute excursion which i could only imagine as a soundtrack while floating in deep space. the release comes to a close with cv313’s near 12 minute rendition, a beautiful dub house soundscape filled with tribal rhythms and gorgeous atmosphere recalling moments from echospace’s landmark album “the coldest season” on modern love. this is music which clearly focuses on every fine detail, filled with loads of space and bass and the analogue warmth we’ve come to love from the echospace signature. as with all things echospace this is severely limited and is pressed on to beautiful coloured vinyl.

after their debut single turn you onhaving such a wide success on goodgroove, they are back to bring some disco breaks to the floors. san francisco meets south west england. the sly players are tal m klein and slim goodgroove. they create disco vs breaks vs funk that bridges boots and original production, leaving no musical stone unturned, each sly players track is born of tal and slim s crazed experiments at throwing the kitchen sink at dancefloors, keeping what sticks and throwing out what doesnt.

long we have waited, however, now it is so far. our vit002 is now available. with the track >tanzen< from doc.tor.ben & noktarius kalispera electronic wishes come true and arc over provides for the musical rounding on side a with his track >so damn hot<. you love to sink into thoughts and to dream simply? then you will have a true pleasure with the track from mod x >glitter<. thanks to the voice of julia messenger you get an experience for body and senses and you can escape with it from the everyday life. on the whole a must in every house-electro-record case.

the legendary 1986 who made who album!! including the big hits who made who, you shook me all night long, hells bells and for those about to rock! official soundtrack from steven kings maximum overdrive movie!! a must have

rough to the touch, the jt3s latest will sink into your souls, purifying them by breathing in the bad and exhaling out the good. js songs use blues and r n b templates, executed with sweaty, wide eyed energy - and this time, hes added a couple of colours to his rainbow that are blowing our minds, those of dub reggae and ska, which squeeze next to their northern brethren with excellent tightness. you ll be left breathless after a nonet of new songs, all of which address the modern dilemma of identity and faith. vinyl only release - as befits the classic rock and soul sounds.

positiver, hypnotischer & housiger minimal-techno der so minimal gar nicht ist. wir möchten luciano (cadenza) zitieren, der sagte: >it s really good ive been digging the track on the weekend , its the bomb and make people smile and dream about a new story.< dem ist nichts hinzuzufügen

public service message: from the pale horizon of the calm world, here emerges critical tension. product of his society, henry the white collar goes through a crisis. today henry is nervous, negotiating the heave and shove between fear and his uncontrolable urges, and this is his music when he does. we, the producers, are his fantasy. does it hurt or is it good? can you make him relieve his debt? after two releases on sound of barclay, and a hit (sink) on yvan smagghes compilation (suck my deck) released on react, and the famous cover of lios amoureux solitaires featuring jennifer cardini on kill the dj, henry is back with a dodgy 10 inch no punk, no electro - this is wobble

ever think you d be listening to a gorgeous house tune called piece of meat? pardon the pun but this is one tune you can really sink your ears into. ex ten city member & legendary house music vocalist, byron stingily, takes the notion of a broken or stolen heart literally, so often such is the feeling of lost love. four different remixes bring different flavas of house, from the revered remixing super soulful skills of quentin harris, to the more classic sounding production of byrons original mix, to the dubbier & more bass heavy style of ron carolls bmc emotional remix. vegetarians & carnivores alike will learn to put their differences aside & dance blissfully to this top tune

der nächste gute sampler auf safari. diesmal mit ekkohaus, arnaud le texier & luciano esse, herre & red kite und prospettive sotterranee

the synkope ep ushers in a new sound for mathias, one that is more full and less percussive than before yet also one that will not leave previous fans in the dark. taking his cue from his keen knowledge of the worlds dance floors, kaden translates this awareness straight on to vinyl without losing sight of todays complex sequences and sound structures. with the flood of faceless releases that threaten to sink even the most discerning record buyer theses days. there is a growing sense of urgency to make records that will remain classic and listenable even 10 years into the future. if you dont mind us saying we think this might just be one

a really firework! music made with heart and soul. beautiful, this deep brocksieper mix - its flow is one of the finest. a2 - a romantic lump, who will reel filled flews in, after having thrown his seductive bait on the >love fish sea bottom< of the club landscapes. and yet, there is someone else!? someone else, who is mixing the vocals in the finest manner on b1 - as always - an airy inciting and pushing mixture for a t_time of doozy. use your arms, marcel knopf! if your legs might be a bit weak after the first three mixes, you can swing your arms right now into the air and sink into a rocking broken beat after a gap that hardly can be reached

breaks

cd im gatefold sleeve

goth / new wave

monophonics invite us to the Òsage motelÓ.

this is gajek. this is 17. come in, feel free. dont worry if you see a flute in the sink. matti gajek s followup to his 2014 debut album restless shapes opens the floodgates to signals from a future best navigated by ear. moving through polyphonic pulses, layers of grooves and sounds, zooming in and out of ever evolving patterns of concentration and decomposition, the ten tracks of gajeks 17 are electrifyingly futuristic clubmusic true to the almost five decades old motto of berlins zodiak free arts lab: ãtotal freie musik - totally free music. paying tribute to electronic pioneers like hans-joachim roedelius and florian fricke while staying clear of historical mystification gajek revisits the abstract clarity and improvisational audacity of 1970s electronics from a perspective this is not 71. today motoric rhythms emerge and elapse from postdigital aural scapes, intense and sublime, linking the thermodynamic to the ephemeral. beyond the echoes of past utopias 17 discovers present signs for possible tomorrows.

featuring the likes of ll cool j, eric b & rakim, dilated peoples, slick rick and more

always keep moving, never stand still, a motto that dapayk & padberg have been following consistently for more than ten years in every respect. for nearly three decades sought-after musician, producer and machine enthusiast niklas worgt has researched diverse club sound effects with countless projects, while singer eva padberg is an internationally renowned high fashion model. since 2003 they have been traveling and performing together as dapayk & padberg. they are passionate sound nomads who capture acoustic impressions of their exciting journey. each album is a sound logbook, which captures memories in the form of beats, tunes and skits. on sink this ship, released a few months ago, the berlin-based duo provided a first glimpse of what you can expect from dapayk & padberg in 2017, with their new album harbour.